Much like sitting down for a chat with an old friend, this wonderfully gossipy little book wanders from one member to another of a large old family, detailing the strange tales that make a family real. From woman in a pool to a man at a reunion dinner, no story is over told, over detailed, overly fleshed out. Instead, the reader is simply offered a little glimpse of a moment, a turning point, or a single realization, that allows the reader some, but not full, understanding, much as a person can...more Much like sitting down for a chat with an old friend, this wonderfully gossipy little book wanders from one member to another of a large old family, detailing the strange tales that make a family real. From woman in a pool to a man at a reunion dinner, no story is over told, over detailed, overly fleshed out. Instead, the reader is simply offered a little glimpse of a moment, a turning point, or a single realization, that allows the reader some, but not full, understanding, much as a person can never fully understand another. A wonderfully easy read, I was only disappointed when I realized I had come to the end and had no more to learn about the vaunted Melekat family.
BANGALORE MIRROR
Chinwag with Sheila Kumar
Sudha Pillai
The twist is that all the
characters are connected to each other by way of blood ties (they are part of
the widespread Melekat clan) or ties of deep friendship. Though all the
stories do stand alone, they are also connected since the Melekats wander in
and out of each other’s stories, doing their own thing!
Why should people read Kith
and Kin?
I hope the book is intelligent
entertainment for readers. What happens to the Melekats happens to people
everywhere. Life throws all sorts of things at us; the real story lies in how
we deal with the onslaught. The stories are a funny, wry, sad, bold and
timorous take on life.
How different is your book from
other books that tell similar Mallu tales?
Funnier, more contemporary, even
though it’s firmly rooted in its culture. Actually, these Mallu tales and
this Melekat clan will find resonance with non-Mallus everywhere
How long did it take to write this
book?
The nineteen stories were down in
its eponymous folder on my desktop within seven months. It was not an
entirely disciplined writing process, but I will confess: I’d sit and write
the stories at one go, amidst my regular routine of travelling, travel
writing, editing, reading, checking out the new eateries in town, and all
that jazz. It was fun writing it.
The cover photograph of your book
has garnered much attention….
While I was casting my net
far and wide, along comes a set of photographs on Facebook, by a friend, P N
Shanavas; he’d shot those pics in the Malabar region. I took one look at what
eventually became the cover photograph of Kith and Kin , and I
was transfixed. There was an amooma (grandma), carrying Kerala fruit and
veggies, there was the laterite brick wall of a temple in the
background…perfect! Shanavas was kind enough to let me have the pictures for
the front and back covers; and so I lucked out again!
Are there more books in the
making?
The Melekats clamoured to be
written about. Right now, there is a peaceful silence inside my head, thanks
be!
KITH AND KIN
The Matriarch And Her Family
Sheila Kumar weaves an interesting story
around the characters of the Melakat clan
Abraham C. Mathews
Kith And Kin: Chronicles Of A Clan By Sheila Kumar Rupa: Pages:
248 Price: Rs 250
When a novel chooses to begin with a page-and-a-half-long list of
characters, it should make you wary. When that novel is only about a fifth of
the size of War and Peace, you can be quite baffled by the prospect of having
to abruptly flip pages back and forth just to keep track of who is exactly who.
And when at page 102, when a ninth chapter introduces a ninth set of characters
into what you assumed to be a single story, you may be just forgiven for
wondering if there wasn't a better way to write a story.
But if you see Kith And Kin as a set of separate short stories (19 in all), it is a delightful peek into the remnants of a fictional clan, the Melekat Tharavadu, characterised by all round snobbishness and ready wit, personified by its now deceased matriarch, Ammini Amma. Once the most prosperous and powerful family in town, the second generation is left picking up the pieces, trying to break away from the shackles of stiff upper lip tradition. A transition that is, however, managed only by the third generation, for whom Melekat is just an identity, perhaps nothing more than an explanation for the few weird traits they all share. There is Suvarna, Suv, who is bequeathed the ancestral home, Mon Repos. The only problem is she doesn't want it. It is for Sumant that she pines, though she 'chooses not to own him'. There is Seema, having to sit through a school reunion of her husband's, wondering what was behind the smile of Sameer, a man with his own secrets. There's her sister, Sindhu, carrying on a semi-furtive affair with a married man. There's Veena and Vasu, siblings who must pretend to be oblivious to their mother's delusions of grandeur. There's even a journal-keeping ghost of an ex-Melekat, who's not cut out for haunting. Every story brings out the contrast between perceptions and reality, our thoughts actions inevitably influenced by our perception of situations. If only we knew what the other person was thinking, how much more easier would life have been! On page 225, the reader is introduced to 18th set of characters in the book. One of them, Dakshu doesn't see the point in continuing with her husband. But then it doesn't make sense in leaving him either. Yes, an affair could be the solution to the boredom plaguing her life. Meanwhile, ogling at Dakshu by the pool is a man, practicing a dignified response to his wife, who he suspects will leave him soon. Back home, Dakshu's husband wonders why on earth he married his wife, dumber than the prototype dumb blonde. But does he have a real reason to divorce right now? Perhaps, an affair. And if he kept matters discreet, his wife wouldn't even cotton on. It's the myriad of whimsical characters, the pacy, witty writing, and the endings that define most chapters that makes Kith And Kin a treat to read. However, at some point, you do wonder if too many stories have been wedged into a single novel. Way too many characters, all related in some knotted fashion, distinguished by not more than one consonant in their names. There's Seema, Beena, Veena and Leela, none of whom are siblings. But then again, if you were 'mallu', you would understand. Neither would you mind, if you were brought up on those shores, the several references to Baranis and Nayadis, Valichapadus and the local Pooram. In fact, like me, you may be thankful to the author for demonstrating how a 'tharavadu' and the people who live in it can be way more whimsical than anything you have ever experienced. Yes indeed, if she still has another story in her, and that makes its way into a novel, I will be reaching out for that too.
THE READING CORNER BLOG
Kith and Kin
24 August 20012
Weaving a complex web
of characters, Sheila Kumar tells the tales of the Melekat family belonging to
the Nair community of Kerala.
Through an impressive
family tree, we are introduced to the clan at the head of which is Ammani Amma
the matriarch who more or less rules the roost from her family home Mon Repos.
Her descendants include her son and two daughters and their respective families
and also her brothers and her mother.
The story unfolds with
Sumant receiving a call from his childhood friend Suvarna, grand daughter of
Ammini Amma, asking him if he wished to buy Mon Repos. As he considers his
options, and prepares to travel to Mon Repos, the entire tapestry of the family
history is told in the form of short stories.
The stories connect
from one character to another, quickly shifting the reader's empathy from one
protagonist to the next thereby giving us a clear and rich perspective of each
characters point of view.
Padmini is mourning
her husband's death. He had a vile and vicious tongue and a cruel streak and a
part of her is glad to have been relieved from him. She feels free and is eager
to begin afresh, a life of less penury and control with her children. She
resents her mother Ammmani Amma asserting authority in her own home especially
when she tries to send her faithful servant away.
Twenty two year old
Beena begins the series of boy meet girl to find the right match. Each meeting
is defined by the colour of her clothes. Which colour would prove to be her
lucky colour finally?
Veena was unable to
come to terms with her mother Leela's imperfections that made her tell tall
tales of events that supposedly happened.
Ammani Amma's daughter
in law is a ghost. A ghost that wears jeans unlike the ethereal white shroud.
And she keeps a journal. A journal of what naughty, scary things she does after
becoming a ghost. And before she fades, she must write how she actually died.
Dakshu is desperate to
leave her husband, and is looking for a good reason to do so. Meanwhile, her
husband also has a few thoughts on his subject matter.
Ammu decides to save
the hotel cost and spend the night at the airport. Unexpected to her, she meets
many a colourful characters. An experience that anecdotes are made of.
The stories flit from
beginning to end like a slice of life and ends in an unexpected manner. They
almost do not end and leave behind much to imagination. One is left wondering
what happens next and the ending is ripe for a richer tale to be woven.
While the theme is
traditional Malabar settings, the characters are modern and contrast with the
settings and give an unexpected texture to the entire tapestry.
I loved the
contrasting imagery that was formed as each character's
I've beyond Mon Repos
was explored.
Title- Kith and Kin
chronicles of a clan
Author- Sheila Kumar
Price- Rs 250
Publisher- Rupa
BOOKS MANDISATURDAY, OCTOBER 27, 2012
If a novel is about one’s family, it can be an interesting one
to write about. Semi-autobiographical, yes, but painting pictures with words
that are almost true to life can be tedious still what with each family
member’s character traits, quirks and the likes. But what if you were writing about a fictional family,
across three generations, living far and wide, yet each one somehow remains
true to their roots? Tedious, yes, but doesn’t feel so when they get onto
reading Sheila Kumar’s Kith and Kin – Chronicles of a Clan!
The book begins with the author introducing the large Melekat
family – describing every one of the 19 characters! It is like tracing back a
large family tree, more of a navigating tool to help you through the book and
avoid confusion.
The elegant white rose of the town, Ammini Amma – standing tall
and stoic, never letting anyone know who she really is or what she really feels
is the family matriarch of the Melekat clan and runs her huge house ‘Mon
Repose’ proudly. However, her children are different. While Ammini Amma remains
unreadable, the author continues to spin her web of tales from the lives of her
offspring’s.
The descendants of Amma, aka current Nair family, are
oscillating between what they feel, what they really want and how their life
really is! They struggle to keep up with the charming and elegant life their
mother led. Far from perfect, their stories are marred by failed marriages,
unhappy relationships, commitment phobias, treachery, loneliness, jealousy and
insecurity, even bordering on dementia. On the other hand, the younger
generation, i.e. the children of her children, look up to her for solace and
peace whenever they find themselves in a soup. Unlike their own parents who
fail to get going with the fast-changing times, the younger ones feel that
their grandmother would have understood.
Having left their home town of South Malabar, the Melekats have
settled across Mumbai, Bangalore and the US. However, what bind them together
apart from their similar aquiline features, bouts of tantrums and their
arrogant nature is their mother and their home, Mon Repos. Amma and their
childhood family home are recurring themes through the book.
What really intrigues one is that there is not one chapter from
the matriarch’s perspective. Everyone seems to be talking about her, cursing
her maybe, but she is not the one to talk! Very deliberate, I’d say as the
author stays true to Amma’s character – never a word out of line and never the
one to clarify.
Some stories have unexpected endings, taking you by surprise.
While stories like Ants, Colours and Passing Through, the author adapts
different forms of narratives, establishing at once establishing the very trait
and essence of these characters.
With Ants, she writes through the perspective of a young niece
who has come visiting her aging aunts who tend to the huge house, running it
smoothly, devoting their entire lives to the structure. Long widowed, they
continue to live is a microcosm which seems like a tiny spec, hardly relatable
or of any importance. Through Colours, the author explains that we still live
in a world where superstitions hold a majority. They can decide one’s life’s
path!
In Passing Through, while stranded at an alien airport, the
protagonist battles her inner demons of insecurities. I think this one came the
closest to grand dame Ammini Amma! And the end will surprise everyone. While I
do not want to divulge much and ruin the fun, I will only say it ends at Mon
Repose – French for my place of rest.
In short, the book is thoroughly enjoyable. Every story adds to
the reader's experience, leaving one with an ache to know more about the
Melekats.
1.
Might just buy this book after reading the review.
Interesting!
Agree with Arti... it does offer something unique to the reader
, telling interlinked tales from multiple perspectives.
3.
@ Arti
Thank you buddy! I am glad you liked this one. It is a good book. Offers yummy Mallu flavors :) |
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