Tuesday 13 October 2015

The writer on writing: Perspective column in the Books page of The New Indian Express


The New Indian Express

Why does a Writer Write?

Published: 13th October 2015 

I could be facetious and say I write because I can. But that wouldn't be the whole truth. I write because I must. The ideas pour into my head at all times of the day and night and stay there, jostling around, till I discharge them onto paper or onto a fresh page on my computer. Some  mornings, I wake up with words pouring out of my senses.

I write because as a trained journalist with many years of experience, I have willy-nilly, honed the craft. I write on assigned projects, I write to meet deadlines and I write to tell a story in the most interesting manner possible.

I write because I love the language I write in, English. I'm a Literature Honours student who dove eagerly into all the elements of my chosen subject: syntax, phonetics, grammar, vocabulary, the works. That passion hasn't faded one bit over the years; I still devour essays, stories, reports that employ impeccable language and a fine turn of phrase or three.

I write as a defense to the whirlpool of mediocre writing I observe all around me. While I fully sympathise with the popular notion that everyone has a book in them and needs to write it, why must they employ bad or no grammar, banal language, a sloppy, lazy, superficial, pretentious style? Why must they use text language and say it is more reader- friendly? Why must they run down good writers and skilled writing even as they hawk their work? 

I write because it comes as easy to me as breathing. Writing is my refuge, my   patch of sunlight.

Coming to my book. Every journalist is asked when she or he will start work on a book. And I’ve been a journalist for more than two decades now, so that means I have been asked this question many, many times. The answer was always: No book. Period.

And that was the truth. There really was no book inside me. I was happy to wear all the other hats: be a copy editor, a features writer, an opinion writer, a travel hack, a fashion writer, dispenser of much fashion and beauty advice in article after article, proof-reader, book editor. But not author.

Till some summers ago. Then the book came to me very forcefully. I’d lie in bed at night and characters would walk into my brain and set up situations for themselves. I’d wake in the morning and words would come charging  out of my head.

And so, Kith and Kin pretty much wrote itself. A cliché but clichés are based on truth, aren’t they?

Actually, much of what I write is for my eyes only but quite a bit is out there for public consumption, too. It is out there, open to anyone who would read it, only because I have this total conviction that what amused, entertained, educated, disturbed  or pained me, will do the same to others too. So, basically, it's the ultimate act of sharing.

  — Sheila Kumar is an independent  writer and editor, as well as author of a collection of short stories titled Kith and Kin (Rupa Publications).

http://www.newindianexpress.com/cities/bengaluru/Why-does-a-Writer-Write/2015/10/13/article3076520.ece

Friday 9 October 2015

Review on blogger Athira Jim`s Bewitched By Words blog






Wednesday, October 7, 2015


Book Review - Kith and Kin - chronicles of a clan by Sheila Kumar


From the book cover: Wimpy men, whimsical women, people trapped in their own time zones, cuckolding wives... Meet the Melekats. They are an inimitable lot!

These are slice-of-life stories about an old Nair family from south Malabar in Kerala. The Melekat mosaic includes Ammini Amma, the matriarch of the family, and her large brood of offspring and descendants. A wannabe journalist in search of the perfect story, a girl in search of a husband, a woman in search of a reason - any reason - to leave her husband...each character arouses curiosity. 

There is love, laughter, betrayal, hurt, anger, meetings, partings, and even a chatty ghost, in this fluid and engaging narrative. 

My thoughts: A wide variety of interesting and intriguing characters is what makes up the gist of Kith and Kin, as the name indicates. When I started reading, I couldn't help but compare the stories to that of Anita Nair and Kamala Das, some of my favorite writers, primarily because of the setting in Kerala, which is home for me. But that was where the resemblance ended. Sheila has brought in her own distinctive voice and narrative to the story while breathing life into her characters. 

Though the book is a novel, the chapters read like short stories on its own, each one dealing with a different theme. There were quite a lot of characters who are all related and once you get a better grasp of who is who, the story progresses along smoothly. I loved the characters of Melekat Ammini Amma, the matriarch, Suvarna, Seema and Sindhu, her granddaughters, Sumant, Suvarna's childhood friend to name a few. 

Reading the book was like taking a trip back home. Yes, it evokes a sense of nostalgia as you go along with the characters in their journey. The book is well written and edited, with impeccable English. I had to pick up my dictionary quite a few times, and this is certainly a good thing if it helps you in learning new words. There are so many topics that the author has tried to cover including infidelity, complex human emotions and its vulnerabilities, marriage and love. I also loved the title of each chapter which gives a thoughtful preview of what is to be expected from the coming story.

At two hundred odd pages, the book is a light read and I finished it over a couple of days, relishing each one of the stories. Read this one not just to get a peek into the Melekat family, but to dwell into some of the darker emotions and stories that we keep hidden, not daring to voice them out aloud. 

Saturday 4 July 2015

Interview with Smart Women


SMART INDIAN WOMEN OF THE WOMEN, BY THE WOMEN, AND FOR THE WOMEN SMART INDIAN WOMEN An Author Interview of Sheila Kumar with Smart Indian Women Posted on July 2, 2015 by admin Sheila Kumar/Book Hi Sheila Kumar, thank you for agreeing to this interview. Tell us a little about yourself and your background. Please describe what the book is about. I’ve been a journalist for many years, in the process carving out a niche as travel writer, food writer and book reviewer. Now I write for a wide range of newspapers and magazines, on a wide range of topics. As many as ten of my short stories have appeared in anthologies; I have also contributed stories to three Chicken Soup for the Soul books. My book Kith and Kin, Chronicles of a clan (Rupa Publications), is a collection of 19 short stories where all the characters are linked to one family, the Melekats. They have their ancestral home in south Malabar, a house with the unlikely name of `Mon Repos.` At the centre of the book is the strong and beautiful matriarch called Ammini amma; the other characters are her siblings, her children, their children and friends. These are people looking for love, people looking to run away from love, people trapped in the twin hells of old age and ill health, people in Kerala, Bangalore, Hyderabad, Mumbai, and abroad. Basically, people trying to deal with everything life throws their way. Briefly, what led up to this book? Kith and Kin is just my way of setting down different takes on the human condition. I`ve been been observing this human condition up close for many years now. All the quirks in people that struck me as particularly interesting, I handed down to the Melekat clansmen and clanswomen in Kith and Kin! What was the timeframe for writing this book? The stories, all nineteen of them, had a gestation period in my head for many months, almost a year, but the writing process itself took just about seven months. I was lucky, the transition from idea to story was a smooth one. Where do your ideas come from? Basically, I wanted to show that people are shaped by the manner in which they handle all the ups and downs in their life. Some do it with grace, some rave and rant. Some go with the flow, and some drown under the pressure. Kith and Kin`s characters strode into my head and pretty much wrote their stories themselves. I`d begin a story intending to conclude it in a specific way. Then, I`d find myself writing quite another ending, clearly impelled by the characters! Do you think that the title and cover plays an important part in the buying process? Oh, absolutely. There`s a glut of books, of all genres, in the marketplace now. Your book needs to have that edge to get someone interested enough to just pick the book up. A snappy title and an eye-catching jacket could work that edge well. Which writers inspire you? In all honesty, I cannot say I am inspired by writers. But yes, there are writers I really admire. That master wordsmith, William Shakespeare, is one. So many decades, so many generations later, the Bard`s relevance remains unchallenged. What were your 1-2 biggest learning experience(s) or surprise(s) throughout the publishing process? Just one big lesson. I learned that after you write what you think is a good book, after you are fortunate enough to find a good publisher, after your book sees the light of day, that`s when the hard work begins. As in, you need to hard sell the book, to flog it in virtually all possible public spaces, and to keep at it! This is not easy if you are of a modest disposition, but it seems to have become mandatory today. Of course, for it to continue to sell well, it will have to be that all-important thing: a good book. Best piece(s) of writing advice we haven’t discussed? It`s polish, polish, polish. Your work ought to be quite simply, the best work you are capable of. Keep returning to your draft, to the keyboard, get a raft of Beta readers and an expert or two in, if you must. But do not submit average writing. What’s next? Oh, all the usual stuff: writing articles, copy- editing, manuscript-editing. And if another book starts to make its presence felt, well, that too. How can readers discover more about you and you work? Given that I`m a journalist, I can safely say I`m all over the place! However, readers can get to all my published works in my blog Comfortably Numb at: http://bindersfullawords.blogspot.in/. Kith and Kin has a blog page all of its own: themelekatbook.blogspot.com. An Excerpt from “Kith and Kin, chronicles of a clan.“ An excerpt from Story 11: The Lightness of Being I’m new at being a ghost. Some of what it entails is nice, like the current buzz all around Wellington which is about me. So, I’m a buzz-maker. As for the rest, it’s a lonely life. A long and lonely life, for all I know, if you will pardon the usage of what is quite clearly the wrong word: life. It’s early September and the start of the second season in the hills. The morning glory and lantana grow in a kind of gluttonous profusion, nesting bulbuls have taken over every bush in their characteristically bossy manner. The Nilgiri rock pigeon regards me gravely; the intensity of its fixed gaze convinces me that it can see me. Overweight Jersey cows graze near the Appleby Restaurant but they don’t see me or else they don’t care to lock eyes with me. There are no horses around this part, wild or otherwise, so I cannot confirm whether the saying is true that horses shy away violently when they see ghosts. I flit past the Supply Depot which supplies `freshly grinded wheat.` Back then, I used to fall into a fit of sneezing every time I passed the Depot, it’s such a relief to do so without any such thing happening to me now. Back then, inhale as much as I did, I never could sniff out the supposedly sharp fragrance of the eucalyptus leaves either; now, I don’t have to pretend I can smell what I can’t smell. I found myself wandering down the road one evening and spooked myself, honestly I did. A thin mist had started to loop itself around the small hill which Appleby Road crests and suddenly from out of that vapour appeared a ghostly figure. I nearly shrieked… or maybe I did, everything I do is silent now… and skittered to one side. It was an elderly man carrying a battered mud-coloured valise. I don’t know what he was doing all alone at that hour, on such an ill- lit road besides. But he didn’t see me or sense me and off he went. I went back too, all shaky knees and skittery feet. Did I say the man seemed calm? Seems he went down to Coonoor Bazaar, got himself drunk right and proper and kept babbling about ghosts on Appleby Road. Did his bit to propagate that rumour, the fellow did. I didn’t mind being the core of the buzz. I hadn’t been the most retiring of sorts back then and did not intend to stay a self- effacing, hesitant kind of ghost now. I wasn’t going to go around haunting houses or scaring people and animals unless it happened inadvertently but I was going to get around, as it were. I just needed to know what it was that I was supposed to be doing. If there was something at all. But here’s the thing. I’m obviously not cut out for haunting. What is it I must do, that I have to do? I need a sign of some sort, I really do… One rumour about the ghost of Appleby Road is that she is a woman who used to live in Providence Villa, and eventually died there. Once someone said in my hearing that she was a poltergeist, not a regular ghost. That gave me an idea and I went to Providence Villa. No sign of any ghost there so I thought I would do whatever the resident poltergeist apparently did on a regular basis. Which is, pull all the washing down from the line. And it was there to one side of the brown and neglected lawn, a clothesline full of wet clothes, all of them neatly pegged. I started to pull them down and then something weird happened. Mrs Rosario, who now lives in Providence Villa with her brother Earnest, came charging out and started shouting at me. Well not at me, precisely but shouting in my direction or where she clearly imagined me to be. She wasn’t too far off the mark either. So there I stood, a sopping wet yellow checkered tablecloth in my hand (suspended in mid-air to her, I later realised) while old Mrs Rosario shrieked, “Oh no, you don’t. Not again. Not ever. I’ve exorcised you, you wretch! Father Daniel told me you had gone away and would never return. Why are you back, you wicked woman? Give me that!“ And then she darted forwards and tugged the tablecloth right out of my hand. Mortified, I fled the scene. Clearly poltergeism too, was not my thing.

Friday 29 May 2015

Interview with WriterStory




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 Sheila Kumar Interview – Kith and Kin 


Sheila Kumar Interview – Kith and Kin 

We interviewed Sheila Kumar and here she speaks about her current work, academic background and all about writing. Very fascinating story right in her own words:
I`m one of life`s lucky ones and I never forget it: I do something I love, writing, and what`s more, I get paid for it. After years of working as a journalist for the Times Group, I have happily switched to a full-on freelance life now.
Surrounded by words, immersed in words, it`s a happy life!
Sheila Kumar Interview - Kith and Kin Book
After doing my Lit (Honours), I started off as an advertising copywriter with the country`s top agency at the time, Hindustan Thompson Associates (now J Walter Thompson), then joined Ogilvy & Mather after a few years. There followed a hiatus of almost a decade, because I married an army officer and moved around the country with him on various postings.
Ten years later, I switched careers to journalism, and joined The Times of India. I started off at the TOI Desk as a copy editor, then put down that blue pencil and picked up a pen, becoming a Features writer, a Beauty and Fashion writer, a Travel writer, writing the occasional Oped piece, doing just about every interesting beat and some not so interesting ones, too. I was also the editor of the Delhi Times supplement, and the regional editor of Femina in Delhi.
Tapping into my innate love of books and the written word, I then became a book editor and reviewer. All my career milestones were crossed smoothly, like it was a natural progression of life.

What inspired you to start writing?

I was a published writer at the age of 12, for my school magazine, so it was a given that I would end up a writer.
The thing is, when you have been a journalist for as many years as I have, people invariably ask: `When are you going to write a book? `
`Probably never,` I`d reply flippantly. Because, for years there was no book inside me, and I wasn`t going to churn out something mediocre just for kicks.
Then one fine day, a set of characters walked their way into my head, and insisted they had many stories to tell. Kith and Kin had a gestation period of six months in my brain, then the words came pouring out.

What did you like to read when you were a girl?

Just about every book I could lay my hands on! I come from a family, indeed a clan, of voracious readers, so I grew up surrounded by books. My maternal grandmother had an amazing library and that was where I came by lesser- known writers like Leslie Charteris, PC Wren and Oliver Strange who wrote the `Sudden` series, at a young age.

What is the greatest challenge in writing a book?

When a journalist starts to write fiction, the challenge is in keeping away any dry note of reportage, infusing feeling into your story. Also, regarding Kith and Kin, I wanted to loop all the different threads into one common hook, that of one clan. Each and every character (and my book has quite a few!) had to have a strong persona, catch the reader`s imagination, stay in the reader`s mind.

Can you tell us more about Kith and Kin?

Sheila Kumar Interview - Kith and Kin BookThe book is a set of short stories with a twist: all the characters are connected to each other, either by ties of blood or friendship. Most of them belong to one large Malayali clan, the Melekat clan. So, you will find Melekat men and women walking in and out of each other’s stories, some quietly, discreetly, others more boldly, assuredly. `Mele `in Malayalam means `up` or `on high` and this lot consider themselves superior to others; often, that pride came before the proverbial fall, of course.
The stories are real, wry, funny, sad. Life throws all sorts of things at us; how we deal with that stuff makes us the people we are. How they dealt with stuff made the Melekats what they were.

How much research do you do before writing the book?

While my book is not set exclusively in Kerala, the characters are mostly Malayali. And while I’m proud to be a Malayali, I`m a non-resident one, and some things about my home state still remain a mystery to me. My research was anecdotal for the most part, and observational. I went `home,` watched and listened to people, took in manners, customs and idiosyncrasies, and filed all my observations away for use in the near future.

What motivated you to write Kith and Kin?

These Melekats were an interesting bunch, and interesting things kept happening to them. Their stories just had to be written, so I wrote it.

How did you come up with the idea of writing fiction?

I was just following the diktat of the characters in my book. It had to be fiction, I can`t imagine any clan, Malayali or otherwise, having so many people so decidedly off-centre!
Sheila Kumar Interview - Kith and Kin Book

Who are your favourite authors?

It`s an impossibly long list but if I must refine it, it becomes a Holy Trinity: Shakespeare, PG Wodehouse and Ayn Rand. It’s all about their style, substance, language and relevance.

How much time do you dedicate for writing on a daily basis?

Given that my days are packed with routine writing assignments, my `other kind of writing` is done as and when I snatch pockets of time. So, no fixed routine. I just follow the imperative, as and when it beckons!

What words of wisdom would you like to give to aspiring writers?

Write. Keep writing. But don`t be casual about it. Polish your work before you send it off to publishers. Better still, get a set of Beta readers who will critique your work. True, every book has its reader but there is really no excuse for shoddy writing. Make sure it`s good work, it`s your best work.