Tuesday 13 October 2015

The writer on writing: Perspective column in the Books page of The New Indian Express


The New Indian Express

Why does a Writer Write?

Published: 13th October 2015 

I could be facetious and say I write because I can. But that wouldn't be the whole truth. I write because I must. The ideas pour into my head at all times of the day and night and stay there, jostling around, till I discharge them onto paper or onto a fresh page on my computer. Some  mornings, I wake up with words pouring out of my senses.

I write because as a trained journalist with many years of experience, I have willy-nilly, honed the craft. I write on assigned projects, I write to meet deadlines and I write to tell a story in the most interesting manner possible.

I write because I love the language I write in, English. I'm a Literature Honours student who dove eagerly into all the elements of my chosen subject: syntax, phonetics, grammar, vocabulary, the works. That passion hasn't faded one bit over the years; I still devour essays, stories, reports that employ impeccable language and a fine turn of phrase or three.

I write as a defense to the whirlpool of mediocre writing I observe all around me. While I fully sympathise with the popular notion that everyone has a book in them and needs to write it, why must they employ bad or no grammar, banal language, a sloppy, lazy, superficial, pretentious style? Why must they use text language and say it is more reader- friendly? Why must they run down good writers and skilled writing even as they hawk their work? 

I write because it comes as easy to me as breathing. Writing is my refuge, my   patch of sunlight.

Coming to my book. Every journalist is asked when she or he will start work on a book. And I’ve been a journalist for more than two decades now, so that means I have been asked this question many, many times. The answer was always: No book. Period.

And that was the truth. There really was no book inside me. I was happy to wear all the other hats: be a copy editor, a features writer, an opinion writer, a travel hack, a fashion writer, dispenser of much fashion and beauty advice in article after article, proof-reader, book editor. But not author.

Till some summers ago. Then the book came to me very forcefully. I’d lie in bed at night and characters would walk into my brain and set up situations for themselves. I’d wake in the morning and words would come charging  out of my head.

And so, Kith and Kin pretty much wrote itself. A cliché but clichés are based on truth, aren’t they?

Actually, much of what I write is for my eyes only but quite a bit is out there for public consumption, too. It is out there, open to anyone who would read it, only because I have this total conviction that what amused, entertained, educated, disturbed  or pained me, will do the same to others too. So, basically, it's the ultimate act of sharing.

  — Sheila Kumar is an independent  writer and editor, as well as author of a collection of short stories titled Kith and Kin (Rupa Publications).

http://www.newindianexpress.com/cities/bengaluru/Why-does-a-Writer-Write/2015/10/13/article3076520.ece

Friday 9 October 2015

Review on blogger Athira Jim`s Bewitched By Words blog






Wednesday, October 7, 2015


Book Review - Kith and Kin - chronicles of a clan by Sheila Kumar


From the book cover: Wimpy men, whimsical women, people trapped in their own time zones, cuckolding wives... Meet the Melekats. They are an inimitable lot!

These are slice-of-life stories about an old Nair family from south Malabar in Kerala. The Melekat mosaic includes Ammini Amma, the matriarch of the family, and her large brood of offspring and descendants. A wannabe journalist in search of the perfect story, a girl in search of a husband, a woman in search of a reason - any reason - to leave her husband...each character arouses curiosity. 

There is love, laughter, betrayal, hurt, anger, meetings, partings, and even a chatty ghost, in this fluid and engaging narrative. 

My thoughts: A wide variety of interesting and intriguing characters is what makes up the gist of Kith and Kin, as the name indicates. When I started reading, I couldn't help but compare the stories to that of Anita Nair and Kamala Das, some of my favorite writers, primarily because of the setting in Kerala, which is home for me. But that was where the resemblance ended. Sheila has brought in her own distinctive voice and narrative to the story while breathing life into her characters. 

Though the book is a novel, the chapters read like short stories on its own, each one dealing with a different theme. There were quite a lot of characters who are all related and once you get a better grasp of who is who, the story progresses along smoothly. I loved the characters of Melekat Ammini Amma, the matriarch, Suvarna, Seema and Sindhu, her granddaughters, Sumant, Suvarna's childhood friend to name a few. 

Reading the book was like taking a trip back home. Yes, it evokes a sense of nostalgia as you go along with the characters in their journey. The book is well written and edited, with impeccable English. I had to pick up my dictionary quite a few times, and this is certainly a good thing if it helps you in learning new words. There are so many topics that the author has tried to cover including infidelity, complex human emotions and its vulnerabilities, marriage and love. I also loved the title of each chapter which gives a thoughtful preview of what is to be expected from the coming story.

At two hundred odd pages, the book is a light read and I finished it over a couple of days, relishing each one of the stories. Read this one not just to get a peek into the Melekat family, but to dwell into some of the darker emotions and stories that we keep hidden, not daring to voice them out aloud. 

Saturday 4 July 2015

Interview with Smart Women


SMART INDIAN WOMEN OF THE WOMEN, BY THE WOMEN, AND FOR THE WOMEN SMART INDIAN WOMEN An Author Interview of Sheila Kumar with Smart Indian Women Posted on July 2, 2015 by admin Sheila Kumar/Book Hi Sheila Kumar, thank you for agreeing to this interview. Tell us a little about yourself and your background. Please describe what the book is about. I’ve been a journalist for many years, in the process carving out a niche as travel writer, food writer and book reviewer. Now I write for a wide range of newspapers and magazines, on a wide range of topics. As many as ten of my short stories have appeared in anthologies; I have also contributed stories to three Chicken Soup for the Soul books. My book Kith and Kin, Chronicles of a clan (Rupa Publications), is a collection of 19 short stories where all the characters are linked to one family, the Melekats. They have their ancestral home in south Malabar, a house with the unlikely name of `Mon Repos.` At the centre of the book is the strong and beautiful matriarch called Ammini amma; the other characters are her siblings, her children, their children and friends. These are people looking for love, people looking to run away from love, people trapped in the twin hells of old age and ill health, people in Kerala, Bangalore, Hyderabad, Mumbai, and abroad. Basically, people trying to deal with everything life throws their way. Briefly, what led up to this book? Kith and Kin is just my way of setting down different takes on the human condition. I`ve been been observing this human condition up close for many years now. All the quirks in people that struck me as particularly interesting, I handed down to the Melekat clansmen and clanswomen in Kith and Kin! What was the timeframe for writing this book? The stories, all nineteen of them, had a gestation period in my head for many months, almost a year, but the writing process itself took just about seven months. I was lucky, the transition from idea to story was a smooth one. Where do your ideas come from? Basically, I wanted to show that people are shaped by the manner in which they handle all the ups and downs in their life. Some do it with grace, some rave and rant. Some go with the flow, and some drown under the pressure. Kith and Kin`s characters strode into my head and pretty much wrote their stories themselves. I`d begin a story intending to conclude it in a specific way. Then, I`d find myself writing quite another ending, clearly impelled by the characters! Do you think that the title and cover plays an important part in the buying process? Oh, absolutely. There`s a glut of books, of all genres, in the marketplace now. Your book needs to have that edge to get someone interested enough to just pick the book up. A snappy title and an eye-catching jacket could work that edge well. Which writers inspire you? In all honesty, I cannot say I am inspired by writers. But yes, there are writers I really admire. That master wordsmith, William Shakespeare, is one. So many decades, so many generations later, the Bard`s relevance remains unchallenged. What were your 1-2 biggest learning experience(s) or surprise(s) throughout the publishing process? Just one big lesson. I learned that after you write what you think is a good book, after you are fortunate enough to find a good publisher, after your book sees the light of day, that`s when the hard work begins. As in, you need to hard sell the book, to flog it in virtually all possible public spaces, and to keep at it! This is not easy if you are of a modest disposition, but it seems to have become mandatory today. Of course, for it to continue to sell well, it will have to be that all-important thing: a good book. Best piece(s) of writing advice we haven’t discussed? It`s polish, polish, polish. Your work ought to be quite simply, the best work you are capable of. Keep returning to your draft, to the keyboard, get a raft of Beta readers and an expert or two in, if you must. But do not submit average writing. What’s next? Oh, all the usual stuff: writing articles, copy- editing, manuscript-editing. And if another book starts to make its presence felt, well, that too. How can readers discover more about you and you work? Given that I`m a journalist, I can safely say I`m all over the place! However, readers can get to all my published works in my blog Comfortably Numb at: http://bindersfullawords.blogspot.in/. Kith and Kin has a blog page all of its own: themelekatbook.blogspot.com. An Excerpt from “Kith and Kin, chronicles of a clan.“ An excerpt from Story 11: The Lightness of Being I’m new at being a ghost. Some of what it entails is nice, like the current buzz all around Wellington which is about me. So, I’m a buzz-maker. As for the rest, it’s a lonely life. A long and lonely life, for all I know, if you will pardon the usage of what is quite clearly the wrong word: life. It’s early September and the start of the second season in the hills. The morning glory and lantana grow in a kind of gluttonous profusion, nesting bulbuls have taken over every bush in their characteristically bossy manner. The Nilgiri rock pigeon regards me gravely; the intensity of its fixed gaze convinces me that it can see me. Overweight Jersey cows graze near the Appleby Restaurant but they don’t see me or else they don’t care to lock eyes with me. There are no horses around this part, wild or otherwise, so I cannot confirm whether the saying is true that horses shy away violently when they see ghosts. I flit past the Supply Depot which supplies `freshly grinded wheat.` Back then, I used to fall into a fit of sneezing every time I passed the Depot, it’s such a relief to do so without any such thing happening to me now. Back then, inhale as much as I did, I never could sniff out the supposedly sharp fragrance of the eucalyptus leaves either; now, I don’t have to pretend I can smell what I can’t smell. I found myself wandering down the road one evening and spooked myself, honestly I did. A thin mist had started to loop itself around the small hill which Appleby Road crests and suddenly from out of that vapour appeared a ghostly figure. I nearly shrieked… or maybe I did, everything I do is silent now… and skittered to one side. It was an elderly man carrying a battered mud-coloured valise. I don’t know what he was doing all alone at that hour, on such an ill- lit road besides. But he didn’t see me or sense me and off he went. I went back too, all shaky knees and skittery feet. Did I say the man seemed calm? Seems he went down to Coonoor Bazaar, got himself drunk right and proper and kept babbling about ghosts on Appleby Road. Did his bit to propagate that rumour, the fellow did. I didn’t mind being the core of the buzz. I hadn’t been the most retiring of sorts back then and did not intend to stay a self- effacing, hesitant kind of ghost now. I wasn’t going to go around haunting houses or scaring people and animals unless it happened inadvertently but I was going to get around, as it were. I just needed to know what it was that I was supposed to be doing. If there was something at all. But here’s the thing. I’m obviously not cut out for haunting. What is it I must do, that I have to do? I need a sign of some sort, I really do… One rumour about the ghost of Appleby Road is that she is a woman who used to live in Providence Villa, and eventually died there. Once someone said in my hearing that she was a poltergeist, not a regular ghost. That gave me an idea and I went to Providence Villa. No sign of any ghost there so I thought I would do whatever the resident poltergeist apparently did on a regular basis. Which is, pull all the washing down from the line. And it was there to one side of the brown and neglected lawn, a clothesline full of wet clothes, all of them neatly pegged. I started to pull them down and then something weird happened. Mrs Rosario, who now lives in Providence Villa with her brother Earnest, came charging out and started shouting at me. Well not at me, precisely but shouting in my direction or where she clearly imagined me to be. She wasn’t too far off the mark either. So there I stood, a sopping wet yellow checkered tablecloth in my hand (suspended in mid-air to her, I later realised) while old Mrs Rosario shrieked, “Oh no, you don’t. Not again. Not ever. I’ve exorcised you, you wretch! Father Daniel told me you had gone away and would never return. Why are you back, you wicked woman? Give me that!“ And then she darted forwards and tugged the tablecloth right out of my hand. Mortified, I fled the scene. Clearly poltergeism too, was not my thing.

Friday 29 May 2015

Interview with WriterStory




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 Sheila Kumar Interview – Kith and Kin 


Sheila Kumar Interview – Kith and Kin 

We interviewed Sheila Kumar and here she speaks about her current work, academic background and all about writing. Very fascinating story right in her own words:
I`m one of life`s lucky ones and I never forget it: I do something I love, writing, and what`s more, I get paid for it. After years of working as a journalist for the Times Group, I have happily switched to a full-on freelance life now.
Surrounded by words, immersed in words, it`s a happy life!
Sheila Kumar Interview - Kith and Kin Book
After doing my Lit (Honours), I started off as an advertising copywriter with the country`s top agency at the time, Hindustan Thompson Associates (now J Walter Thompson), then joined Ogilvy & Mather after a few years. There followed a hiatus of almost a decade, because I married an army officer and moved around the country with him on various postings.
Ten years later, I switched careers to journalism, and joined The Times of India. I started off at the TOI Desk as a copy editor, then put down that blue pencil and picked up a pen, becoming a Features writer, a Beauty and Fashion writer, a Travel writer, writing the occasional Oped piece, doing just about every interesting beat and some not so interesting ones, too. I was also the editor of the Delhi Times supplement, and the regional editor of Femina in Delhi.
Tapping into my innate love of books and the written word, I then became a book editor and reviewer. All my career milestones were crossed smoothly, like it was a natural progression of life.

What inspired you to start writing?

I was a published writer at the age of 12, for my school magazine, so it was a given that I would end up a writer.
The thing is, when you have been a journalist for as many years as I have, people invariably ask: `When are you going to write a book? `
`Probably never,` I`d reply flippantly. Because, for years there was no book inside me, and I wasn`t going to churn out something mediocre just for kicks.
Then one fine day, a set of characters walked their way into my head, and insisted they had many stories to tell. Kith and Kin had a gestation period of six months in my brain, then the words came pouring out.

What did you like to read when you were a girl?

Just about every book I could lay my hands on! I come from a family, indeed a clan, of voracious readers, so I grew up surrounded by books. My maternal grandmother had an amazing library and that was where I came by lesser- known writers like Leslie Charteris, PC Wren and Oliver Strange who wrote the `Sudden` series, at a young age.

What is the greatest challenge in writing a book?

When a journalist starts to write fiction, the challenge is in keeping away any dry note of reportage, infusing feeling into your story. Also, regarding Kith and Kin, I wanted to loop all the different threads into one common hook, that of one clan. Each and every character (and my book has quite a few!) had to have a strong persona, catch the reader`s imagination, stay in the reader`s mind.

Can you tell us more about Kith and Kin?

Sheila Kumar Interview - Kith and Kin BookThe book is a set of short stories with a twist: all the characters are connected to each other, either by ties of blood or friendship. Most of them belong to one large Malayali clan, the Melekat clan. So, you will find Melekat men and women walking in and out of each other’s stories, some quietly, discreetly, others more boldly, assuredly. `Mele `in Malayalam means `up` or `on high` and this lot consider themselves superior to others; often, that pride came before the proverbial fall, of course.
The stories are real, wry, funny, sad. Life throws all sorts of things at us; how we deal with that stuff makes us the people we are. How they dealt with stuff made the Melekats what they were.

How much research do you do before writing the book?

While my book is not set exclusively in Kerala, the characters are mostly Malayali. And while I’m proud to be a Malayali, I`m a non-resident one, and some things about my home state still remain a mystery to me. My research was anecdotal for the most part, and observational. I went `home,` watched and listened to people, took in manners, customs and idiosyncrasies, and filed all my observations away for use in the near future.

What motivated you to write Kith and Kin?

These Melekats were an interesting bunch, and interesting things kept happening to them. Their stories just had to be written, so I wrote it.

How did you come up with the idea of writing fiction?

I was just following the diktat of the characters in my book. It had to be fiction, I can`t imagine any clan, Malayali or otherwise, having so many people so decidedly off-centre!
Sheila Kumar Interview - Kith and Kin Book

Who are your favourite authors?

It`s an impossibly long list but if I must refine it, it becomes a Holy Trinity: Shakespeare, PG Wodehouse and Ayn Rand. It’s all about their style, substance, language and relevance.

How much time do you dedicate for writing on a daily basis?

Given that my days are packed with routine writing assignments, my `other kind of writing` is done as and when I snatch pockets of time. So, no fixed routine. I just follow the imperative, as and when it beckons!

What words of wisdom would you like to give to aspiring writers?

Write. Keep writing. But don`t be casual about it. Polish your work before you send it off to publishers. Better still, get a set of Beta readers who will critique your work. True, every book has its reader but there is really no excuse for shoddy writing. Make sure it`s good work, it`s your best work.

Monday 15 December 2014

Random snapshots


At random................



Friends Lakshmi Karunakaran and Amandeep Sandhu visit 
friends in Stuttgart and out comes `an interesting book on Kerala. `







This was sent to me by Amar Kundu who asked if I was franchising my brand equity...!





Gender Stereotyping in Writing? Panel at Oxford Book Store comprising Andaleeb Wajid, Shoba Narayan, Radha Thomas Vijaya Lukose and me. 






                                          Clicked by Ajay Ghatage at a bookstore in my city. 








                                   As of 27 Apr 2013, the Milwaukee Public Library stocks Kith and Kin.




                           
                                        Via Amandeep Sandhu. At the World Book Fair, Delhi.





Friday 6 September 2013

Colours: Story Number Four


                                                 Colours


Green vine. Beena had just turned 22. The first time was exciting in its own way, if exciting was the precise word she was looking for. It took place at Mon Repos, her grandmother’s house.  Beena and her mother Padmini came down from Hyderabad for the occasion. All was going swimmingly until  Beena got into a row with her mother who said the family astrologer had decreed  the girl ought to wear a green sari when the boy came to see her. The colour green apparently signified the green light for a long and happy married life for the kanya, Old Baldy as the younger members of the family called him, had pronounced. The man’s writ was like a royal decree for the elders of the Melekat clan. Never mind that she knew she looked positively bilious in any shade of green be it mint, olive, parrot, celadon or emerald. Green she was forced to wear. Eventually she put on a mehendi green Kota sari, inappropriate for the chill winds that blew down through the Gap in the Western Ghats at that time of the year. Her mother who looked all set to impart last minute words of wisdom, took one look at her mutinous heart-shaped face and shut up. And Beena thanked god for small mercies. But Padmini did ensure Beena’s underskirt cut into the flesh at her trim waist; all the Melekat women tied their petticoats way too tight and what’s more, thought that was the best way to do it, too.

The potential groom was stocky, dark and anything but pleasant. He walked in with a ridiculous swagger and there was a decidedly pompous air about his portly person. His brother who accompanied him to the separate room where they were to converse in private --- she would never know why the brother came along --- was so much the better looking, the better behaved and friendlier of the two. The brother and she found a lot of things to talk about while the `boy` sat there, a pasty smile that was probably his idea of conviviality, on his face. She contemplated switching her not inconsiderable charm onto the brother then decided against it. She was not up to the storms that would break in the family. As it is, her mother was in full Poor Padmini mode. And when her mother got that way, it was wisest to put one’s head down and stay quiet.


The boy’s party left after a while and Beena first loosened the underskirt, rubbed some calamine on the weals at her waist, then went to sit on the swing under the sapota tree and twirl about a bit. The green sari, pretty in its own way, twirled in counter-clockwise direction to her slim body. Would they force her to marry that insufferable man? Well if they did, she would embark on an affair with the brother, she decided. She laughed out aloud and saw a face at one of windows of The Retreat, the outhouse; the face ducked quickly out of sight. The family who now rented that house from her grandmother  were big on staring, goggle-eyed and mute, staring continuously, aggravatingly, even infuriatingly. It was a very Mallu thing, staring people to near death, she knew, but still it irked the life out of non-resident Mallus like Beena.


``Did you wear green,`` Beena asked her grandmother. ``When you were `seen` by Achachan? `` The older woman smiled, genuinely amused.  `` I don’t remember. I was sixteen and terrified. I remember Mrs Robbins my governess, asking to meet my husband and me wondering just how I was to address this stranger.`` And  all Beena could focus on then was the utterly incongruous image of a scared Ammini amma.


However, where the boy-seeing front was concerned that was that, quite literally so. No word fetched up. Not at Mon Repos, not when they were back home in Banjara Hills. Then her mother called the fellow’s mother to ask about the curious silence. He doesn’t want to marry now, they were told, the one sentence containing all the other paragraphs that stood poised like a huge tsunami about to break. A gloom descended momentarily on the house but then her mother most uncharacteristically joked that there were plenty of other fish in this sea for her pretty daughter. It helped that Beena was actually very nice looking, something more than pretty, though less than beautiful. Ammini amma, Beena’s grandmother, forbore to comment on the matter, something Beena else was grateful for. It also gave her another reason to absolutely adore the old woman.

                                                ****************

She had turned 23 gracefully, literally on a pirouette, when the second proposal came right to their doorstep at Hyderabad, brought by the boy’s parents themselves in a dramatic departure from tradition. The elderly couple was sweet and fawned all over her, telling her over and over again that they thought she would be ideal for their son. She herself wavered between embarrassment and preening. He was an Only Son, worked in the same field as Beena, which was the direct marketing wing of an advertising agency. No snapshot of the boy was shown but a lunch date was fixed. Thankfully, no sartorial colour preferences were voiced this time. Maybe Old Baldy was out of town. The night before the date as it were, she walked into the room her visiting grandmother was occupying. Ammini amma was reading `The Da Vinci Code` and looked like she found it extremely interesting. Beena meant to gift her Dan Brown’s `Angels and Demons` next. The old lady looked up, read her granddaughter’s face, put the book down and said in soft, measured tones, ``No one will force you to marry this boy or any boy you don’t want to marry, molu.`` They smiled at each other in perfect understanding.


Lavender blossom. Beena held onto that thought the next day at lunch, for which she wore a fitted outfit in lavender-coloured silk. The `boy` was a mere half kilo away from being obese; he had a florid cast to his fair skin which rapidly reddened as he ordered one G&T after another during the interminable lunch. He seemed much taken with her and talked non-stop. Everything he said was inane, banal, verging on foolish. Fat, florid and foolish, Beena thought glumly, then hit upon a brilliant idea: she lit up a cigarette. She was a closet smoker but did so in style; she only smoked a certain brand of slim, mint-infused cigarettes. He looked taken aback then scrambled to join her. So they puffed away all through lunch. Though he did talk through the smoking, too.


This time she said a firm `no` to her family, then told them to take the silent route. Except, the fellow himself called her. And tried to cajole her into marriage. Since the horoscopes matched, very well in dismaying fact and since the other party knew it did, that time- tested excuse,  that unimaginative refuge of many,  could not be trotted out. So she told him in dulcet tones that her boss was against her marrying someone in the same industry. And put the phone down on a dumbfounded `boy.` Later she heard they went to town calling her loose and forward. This was before Mutalik or the Ram Sene’s time so she wasn’t branded `pub-going,` too. Small mercies. Her family thought it was just a classic case of sour grapes on the boy’s side and did the royal ignore, something Beena’s family in any case excelled in.

                                                    ************

Then she turned 24 and Padmini did the turning down job for Beena the next two times. Once when the woman who brought the proposal said they were discreetly asking for a dowry, despite or perhaps knowing the alliance would be with Ammini amma’s family. Everyone in the Melekat clan stiffened at this outrage; Beena was amused and when she spoke to her grandmother, Ammini amma sounded amused, too. The second proposal was ludicrous, since the man who came to check Beena out for his son (Beena wore ivory and looked very becoming) said his son was `modern` and added to everyone’s complete bafflement that he (the boy, that is) generally wore only shorts. That quickly became an in-house joke for Beena, her sister and brother: `shortse idathillu,` they would term any insufferable person.


Time passed and not too smoothly. Pressure mounted on Beena. She was told to think of her unmarried sister. This was difficult for her to do with any amount of seriousness, given that Deepali was a precocious school kid with dollops of attitude, all of it the wrong kind of attitude, too. Just before Deepali was born, Old Baldy had pronounced that the coming baby would, in time,  rule over men and matters. Well, the brat didn’t look to prove that prediction right since she was forever alienating everyone with her high-handed behaviour. Beena had nicknamed her HRH Cooch Behar for her wannabe Gayatri Devi-ness. Only thing though, Deepali was all set to become a real beauty in the Ammini amma mould; the classic stamp that evaded Beena was going to effortlessly become Cooch Behar’s. Beena didn’t mind in the least, she was quite fond of the little pest.


Indigo moods. 25 came and went, to studied under-celebrations. Beena said `no` to one man who lived in Ghatkopar, citing his residential locality as the reason to a fuming Padmini. Then they went boy-seeing for a change, she wore a lovely shade of indigo, and the fellow came to the door of his apartment clad in only his vest and pyjamas. It was a decidedly grungy vest, too. To add insult to injury, before she could say `no,` he said it. We wouldn’t suit, he said, and it was all Beena could do not to retort, ``Well, certainly not if your favourite colour is grungy gray.`` Another chap said he was uncomfortable with her working, riding a scooter to work, wearing Western clothes. It was not clear which of the three he considered most heinous. Beena’s elder brother rolled his eyes and said `no` for her.


It was around this time that Beena started her relationship with the mussanda plant outside the French windows of the dining section of their ground floor apartment. Mealtimes had become a fraught affair with Padmini in full tirade flow, and sometimes even total silence on Beena’s part wouldn’t cut it. So she learned to stare at the deep pink blooms of the plant with a fixed intensity, like it would impart the secret of life to her.  No secret emerged from the mussanda though Beena frequently developed cricks in her neck. After which she began to develop a decided dislike for any shade of pink be it blush, baby, salmon or fuschia.

                                                    ************
She was desperately clinging onto her 26th year, refusing to let it go when Padmini set up a girl-seeing for Beena; her best friend’s son, a dashing blade Beena had heard much about but never met because he lived and worked out of town. The stress levels in the apartment climbed roofwards as Padmini fixed a date for the family to come home and then set about cleaning, polishing, cooking. Rarely did her indolent mother ever bother with so much work and Beena worried about the inevitable fallout. After endless rumination, she wore Western gear; these were posh people, Padmini said, her tone bordering on hysteria and Beena didn’t ask further. She knew the boy’s parents very well in any case, they were lovely people, she frequently played a game of Scrabble with the woman. The mother was a beauty in the Raja Ravi Varma way, lush, fair, friendly. She also had a shtick: she always but always wore brown. It didn’t enhance her flawless complexion any but there it was. Always brown or shades of tan, bitter chocolate, sand, caramel. People were really strange, Beena decided.


Maroon, softly, softly . It was a muggy evening when they were to come home and Padmini insisted Beena wear maroon, a colour which she though made her look like a recovering alcoholic, one who wasn’t recovering too well at that. Old Baldy was obviously running the gamut of colours and Beena could only devoutly hope his knowledge did not move beyond the primary hues. The boy’s people were to come at 6 pm, they fetched up at 8.30 pm. He came --- or was sent --- upstairs to the terrace garden with his sister,  a cool beauty Beena knew well but had never warmed to. He was good-looking in a dark way, charming, witty and turned out to be intelligent, too. He wore a maroon shirt and they laughed a little over the co-incidence. Beena wondered if Old Baldy was the resident oracle of his family too. She began to let her heart hope. After they left, Padmini was on an euphoric cloud for the rest of that week, planning a grand wedding, calling up her mother twice a day to discuss details. Ammini amma was characteristically, almost repressively, calm and told her daughter the details would keep till something was fixed. Beena on her part, spent the week stewing in a quiet kind of hope. She would go out to the roof garden, mutilate the deep green serrated leaves of a potted hibiscus or two in an absent manner, replay that evening on an endless loop, send out silent, intense messages over the orange and scarlet blossoms on the gulmohar trees, skimming past the sunlit labernum, down to the road where he lived. Hope became a motivation of its own. Whenever she passed the large house with its dove gray exteriors and startling pink frosting on its window grills, her heart beat faster. She took to scribbling his name after hers in her diary, even as she laughed at how the act smacked of a teenaged fixation.


They never got back. And when Padmini’s best friend did call, she did not mention the meeting even in passing. In a month’s time, they heard the boy was marrying his longtime girlfriend. Padmini turned on Beena, told her it was her fault she couldn’t catch the most eligible Malayali male in all of Hyderabad. Which was technically wrong since he actually lived in Vancouver.  Beena, poor girl, had to deal with a minor heartbreak of her own alongside her mother’s loudly-voiced disappointment. Her siblings  patted her shoulder awkwardly and tried to calm their seething mother down. All to no avail; this was the perfect opportunity for Padmini to play the `nothing good ever happens in my life` tune ad nauseum. What actually got Beena nauseated, though,  was when an aunt who lived in the US came visiting and doled out over- generous and wholly gratuitous doses of advice. Aunt Radha as the family well knew, was a piece of work, a clone of her far-from-pleasant father, Ramanamavan. Years of relentless cribbing had etched deep lines into her face and given her a permanently sour look. Nothing satisfied aunt Radha, not even her on-the-surface successful marriage, on-the-surface successful children (one was an attorney, the other a financial analyst), her decidedly luxurious chateau-with-heated pool. Beena couldn’t think of anyone less suited to dole out advice to unmarried kin. But she took it all, nodding her head at all the right times, concentrating on the large mole on the older woman’s left temple; the mole was growing a hair. It did not improve Radhammai’s visage one bit. Beena took some comfort from that.

                                                              ********


Roseate haze Time taking its due course, Beena hit her 27th year next. The next girl-seeing session came up almost six months later. The whole khandaan seemed to have arrived, for dinner at that. The father was patrician, soft- spoken. The mother looked like she had eaten something bad for breakfast a few mornings ago but had yet to recover. The boy was tall, disconcertingly slender (he actually had a wasp waist, Beena noticed) dark-skinned and very quiet. So she did most of the speaking. Truth be told, all the girl-seeing sessions she had been subjected to had not put Beena off her confidence track. She positively sparkled that evening. It helped that she wore a FabIndia silk kurta the colour of ashes of roses. Or what she imagined Colleen McCullough imagined was ashes of roses, a hue the writer had made much of in `The Thornbirds.` Admittedly, it was a  distant relation to the colour pink but Beena was beginning to get over her anti-pink fixation.


Maybe she sparkled too much. Because they said `no,` the full khandaan. Said the boy wasn’t keen to marry right now. That old chestnut again. So what did that make him, Beena wondered. A serial girl see-er who didn’t want to commit? At this point in time, Beena occasionally took to standing in front of her mirror, wondering if anything was wrong with the way she looked. The mirror offered neither confidence nor consolation. However, the cut didn’t run deep and she went about her life pretty much as usual. It helped that she had a life in every sense of the word. In that world, she wore a lot of black…ebony, charcoal, slate, kohl. All she needed, she thought wistfully, was a suitable boyfriend whom she could marry.  Then, for all of 24 hours she contemplated turning lesbian but came to the conclusion that sadly, women just didn’t attract her in that way.

                                                        ************

28 and counting. About now, Beena had taken up soft gray as her colour du jour, inspired by the many squirrels who ran tame in the foliage outside the apartment, up branches, down walls, into rooms, out of lofts. Gray with its limited shade chart however, was a colour one tired of fast and she was considering  moving onto eggshell soon. She liked the texture of that colour better than the conventional off-whites, clotted creams or banana beiges. Life slid smoothly past, sometimes all neons, at other times, a blur of tonal hues. She still had all the bloom, the mother-of-pearl sheen of a girl just past her teens. 

 The next girl-seeing session took place uncomfortably close to Beena’s 30th birthday. Beena’s baby brother, now married and about to become a father, came home. The proposals took a back seat as Amar’s wife Renu delivered of a healthy baby boy. Beena looked down at the mottled and creased little face and thought, how many girls will this one end up seeing.


Blue  hue. The` boy` was expected home on an evening when Amar and Renu and the baby were at home. Well, not Amar because that evening Beena’s brother chose to head out to a pub down the road for a catch-up session with his college- mates. So when the boy came and he came alone, Padmini bustled inside the kitchen, putting together any number of not- very- tasty items to feed him with. And Renu and Beena had to entertain him. Beena wore blue, the colour of lapis lazuli and the colour was most flattering. Even fetching, you might say. Her hair shone like newly polished silk. The little one slept all through the evening; he was so quiet,  they were all able to forgot there was a baby in the house.


The man was tall, dark and handsome, actually so. Slim, well- spoken, he held a good job in London. What was more, he had a smile that was rakish. In one word, he was amazing. Beena’s heart began to race after what seemed like years. He had a sense of humour too, indulging in easy banter with both the women, expertly keeping up a line of light, meaningless conversation. He was deferential to Padmini, telling her with affectionate wryness of his mother’s ailments, all of them inescapably minor. Padmini
laughed a lot that evening, more relaxed than Beena had seen her in a long time. He was perfect and Beena began to be afraid. Very afraid.

 She was right to be afraid. The boy got back within 24 hours or rather, his mother did. She said her son had had a pleasant time at their house, had been much taken with the girl. Not Beena though, she conveyed most regretfully. He liked the other one a lot, was it Beena’s sister? Renu, he thought her name was though he hadn’t been able to give more details. Could Padmini send Renu’s horoscope over? 

All Beena could think of was that Renu had been wearing a lovely shade of green the evening the boy had come over. What had Old Baldy said about the colour green? Pity the little one hadn’t bawled. Pity the `boy` was so dumb, he hadn’t registered who Renu was. Pity….


                                                                  *********

Beena then embarked on an intense relationship with the blood- red poinsettia next to the mussanda. This one,  she knew for sure, would be for keeps. This one would never fail her. She had no crystal ball. Or else it would have shown her the future. Her future. It would have shown her a day she wore bronzey- gold, as well as Ammini amma’s finely wrought gold band on her pinkie, the day she met her future husband.

                                                        *******

Shortse idathillu: `wears only shorts` in Malayalam.